It looks like a bristling, metal tepee poking out of the desert — and it's utterly spectacular. The brand new Southern Ute Museum and Cultural Center in Ignacio, Colo. cost $38 million. It's meant to help boost tourism, but it's also meant to teach outsiders and tribal youth about Southern Ute history and culture.
History's Accident
In the late 19th century, the U.S. government divided the Ute people into three different tribes, sending them north or west and letting some stay where they were.
"We remained here," explains museum board Chairman Robert Burch, who grew up on a Ute reservation near Colorado's border with New Mexico. "Little did they know we were sitting on oil — natural gas. And once we started getting it out of the ground [and] producing it, we became a wealthy tribe."
So while the Southern Utes have fewer than 1,500 members, the tribe is worth billions — it's literally a case study in expert resource management.
Helping The Southern Ute Remember
When the Southern Ute decided to diversify their already impressive financial portfolio by opening a casino, it became clear that the time had also come to update their museum.
"It was an awful little building, maybe not even 1,000 square feet," Burch says. "So we decided to build a place where we could have a showcase for our children and grandchildren, and they would always know their culture."
The community set out to retrieve Ute artifacts from all over the world and bring them home — priceless white clay pottery, intricate beadwork and glorious baskets by White Mesa weavers.
But for many Southern Ute, the most meaningful part of the museum is its display of family photographs. It was there that former tribal Chairman Matthew Box discovered a long-lost family photo.
"It is a picture that has my mother, my uncle Leonard, my grandpa and my dad and myself. And we're all sitting around a drum," Box says.
Box gets teary-eyed looking at it. He says he had never seen the photo — which was taken in the 1980s — before it was put on display at the museum.
'A Museum In A Body'
Other, younger tribe members were thrilled to see blown-up color photographs of themselves alongside the museum's expensive replicas of tepees and boarding school classrooms.
Ian Thompson, 33, and Samantha Pacheco, 21, say the museum feels a little like a family album — after all, it's a small tribe, so everyone knows each other. And they say being on display is nothing new — they often perform in front of crowds at public powwows.
"We're usually dancing or singing for everyone," Pacheco says.
"So everybody's usually looking at us," Thompson adds.
"We are literally a museum in a body," Pacheco muses.
And so it feels good, they say, to have a place where they can finally look at themselves.
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