Frances Quinlan: Tiny Desk Concert
Frances Quinlan showed up to NPR HQ in Washington, D.C., in February, just after Presidents' Day — which explains her multiple mid-performance jokes about White House residents. But even if her Tiny Desk concert had happened in July, the allusions wouldn't have surprised me. As a songwriter, Quinlan is piercingly astute at making connections between her present reality and the wider world; her songs often narrate other stories she's heard, fictional or real, from a place of wide-eyed empathy. (It's unclear, however, whether George Washington's teeth — the subject of one such mid-set digression — have made it into one of her songs.)
Quinlan is a Tiny Desk veteran, having played here in 2015 with her indie-rock band, Hop Along. You could argue she has even more Tiny Desk experience than that; as Quinlan pointed out during her set, a can of Hop Along-branded beer has been sitting on the Tiny Desk shelves through numerous previous concerts, including Lizzo's.
This time around, she performed songs from her debut solo album, Likewise. She was accompanied by two musicians who played on Likewise: her Hop Along bandmate Joe Reinhart, on bass and guitar, and Molly Germer on violin, and their quiet accompaniment suited her expressive, introspective songs. Quinlan has the kind of voice that can pack an emotional punch in a whisper or expand to fill a room, and her songs seem to carry their own velocity – lurching forward and drawing back, with unique melodies that unfurl in unexpected and satisfying directions. At the Tiny Desk, it was a delight to watch it all unfold.
Frances Quinlan: vocals, guitar; Molly Germer: violin; Joe Reinhart: bass, guitar
Producers: Bob Boilen, Morgan Noelle Smith, Maia Stern; Creative director: Bob Boilen; Audio engineers: Josh Rogosin, J. Czys; Videographers: Maia Stern, Melany Rochester, Kara Frame; Editor: Maia Stern; Associate Producer: Bobby Carter; Production Assistant: Emma Bowers; Executive producer: Lauren Onkey; VP, programming: Anya Grundmann; Photo: Kisha Ravi/NPR
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