Play Live Radio
Next Up:
0:00 0:00
Available On Air Stations
Health--it's what we all have in common: whether we're trying to maintain our health through good habits or improve our failing health. "Bridges to Health" is 90.5 WESA's health care reporting initiative examining everything from unintended consequences of the Affordable Care Act to transparency in health care costs; from a lack of access to quality care for minority members of our society to confronting the opioid crisis in our region. It's about our individual health and the well-being of our community.Health care coverage on 90.5 WESA is made possible in part by a grant from the Jewish Healthcare Foundation.

How One Composer's Hearing Damage Inspired A Concert Series

Ben Tran

  In 2008, composer Daniel Fishkin's ears started ringing, and they never stopped. Doctors offered no solace besides, "You get used to it." In the absence of a medical cure, Fishkin vowed to find a creative solution. 

"I do not want to get used to my hearing damage — I want to use it."

Co-presented by BowerbirdComposing the Tinnitus Suites: 2016 is a concert series in Philadelphia that is Fishkin's latest performance in an ongoing body of work that investigates the aesthetics of hearing damage.

Listen to The Pulse Fridays at 9 a.m. and Sundays at noon on WHYY-FM, listen live at or download the podcast on iTunes.

  Before the onset of tinnitus, Fishkin described himself as a "young punk rocker building instruments and trying in the most genuine way possible to present sincere creations of songs and weird sounds to the audience."

He developed sound installations in freight elevators, performed as a soloist on modular synthesizer with the American Symphony Orchestra, and played innumerable basement punk shows.

Although his work shifted radically after his tinnitus diagnosis, Fishkin's exploration of volume has remained constant. "What I find fascinating about volume was that it seemed like a way to create a whole experience, something that would envelop me or envelop the audience."

A major turning point for Fishkin was an article about Texas sheriff Willie Morris, who committed suicide as a result of his tinnitus. "Morris specifically said in his suicide note that he hoped his death could bring awareness to the condition. I just was really moved because it was like everything I was doing in my life was not dealing with this problem of the tinnitus."

Unable to comfortably make music in the rock band configurations to which he was accustomed, Fishkin began asking himself what tinnitus music might sound like.

Fishkin elaborates: "What is tinnitus music? is another way of saying "What is music where tinnitus isn't ignored? What do we gain by listening to tinnitus? To make 'tinnitus music' is not just to compose sounds, but also to compose situations that can break the isolation of the experience of hearing damage."

In an attempt to answer that question, Fishkin developed the Lady's Harp—a system of 20-foot long piano wires activated by mixer feedback, using guitar pickups and pressure transducers to coax the strings into vibration. Fishkin was inspired in part by the Long String Instrument of venerable composer Ellen Fullman, who will join Fishkin in a duo performance on Sept. 30, 2016.

"I want to create a situation where my tinnitus matters, where my frame of listening doesn't have to be subsumed by the background; where it can direct the music. If you're hearing your tinnitus, you want to have a positive association with it. Now that I'm doing a project about tinnitus, when I hear my tinnitus, it's like an old friend."

Read more of this and other reports at the website of our partner WHYY.