Writer and performer Lissa Brennan’s new work, “Grist from the Mill: 1902,” was informed by sources including two key influences from her childhood: Pittsburgh’s steel mills and Irish murder ballads.
Neither is typically thought of as kids’ fare. But while Brennan didn’t grow up near a mill, she was from a blue-collar family. And her formative experiences in the 1970s and ’80s – for part of which time mills like the South Side’s J&L Steel were still firing away – included illicit visits to the shuttered Carrie Furnaces, in Rankin and Swissvale (now domesticated into a National History Landmark).
And those murder ballads, often sung by Irish folk groups? Well, they were just on the turntable in her house.
“Grist from the Mill: 1902” – part one of a planned “Grist” trilogy – is solo storytelling with a folkloric cast.
“It begins with a love story between a mill worker who is an Irish immigrant and a young woman who has brothers who work in the mill with him,” said Brennan. “Two people fall in love and at least one of them dies.”
Brennan is a veteran performer whose credits include barebones productions (including the recent “Dance Nation”). Last year, she co-starred in Quantum Theatre’s “King Lear,” staged at those same Carrie Furnaces. All that time beneath the silent hulk of the blast furnaces reawakened the “Grist” project, which she’d started working on a while back.
Tying steel mills to themes of violence and mortality is no big stretch, especially with a story set in 1902. That year, said Brennan, a single area mill saw the deaths of 196 workers. “It seemed like a pretty easy place to set a murder and possibly get away with it,” she said.
"Grist from the Mill: 1902" is minimally staged, with sparse lighting and sound design, because Brennan envisions taking it on the road to fringe festivals and such. The Pittsburgh premiere this week includes feature paintings by Leah Blackwood, a scenic painter best known for her work at City Theatre.
The show runs about 45 minutes. There are two performances, Friday and Saturday, at Carnegie Stage. The work is produced by Brennan’s Dog & Pony Show Theatricals with assistance from Off The Wall Productions, which runs Carnegie Stage.