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Feist And Ben Gibbard: Fringe Benefits

They may be fueled by good intentions, but benefit compilation CDs can be pretty dodgy: They've got to have exclusive material in order for anyone to pay attention, and exclusive material almost always means sloppy seconds. If a track is good enough to put on someone's album, it'll get put on someone's album, not handed over to some foundation or other, right?

Dark Was the Night — an all-star indie-rock set benefiting the Red Hot Organization, which fights AIDS — dodges virtually every pitfall associated with benefit sets. The lineup is topnotch, the songs are strong, and newsworthy moments abound, from the long-awaited return of Sufjan Stevens (in a 10-minute song, no less) to several unexpected appearances by Bon Iver's Justin Vernon. But a clear highlight is the lovely, understated cover of Vashti Bunyan's "Train Song," performed by two hit-making headliners: Feist and Death Cab for Cutie's Ben Gibbard.

It's a brilliant match-up on paper — a great song, covered by two killer voices with little adornment or expense — and it functions wonderfully in practice, too. "Train Song" is exactly the sort of smart high-concept event that thrives in this setting, complete with big names, a song that's already been written and a simple arrangement. More to the point, it sounds terrific, with Feist's flair for dusky portent mixing perfectly with Gibbard's moody, openhearted croon. The result is strong enough to fit easily in each artist's formidable catalog — which is saying quite a bit, given the context.

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Stephen Thompson is a writer, editor and reviewer for NPR Music, where he speaks into any microphone that will have him and appears as a frequent panelist on All Songs Considered. Since 2010, Thompson has been a fixture on the NPR roundtable podcast Pop Culture Happy Hour, which he created and developed with NPR correspondent Linda Holmes. In 2008, he and Bob Boilen created the NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk. (To be more specific, Thompson had the idea, which took seconds, while Boilen created the series, which took years. Thompson will insist upon equal billing until the day he dies.)