Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations

Jeremy Messersmith: Tiny Desk Concert

It's sort of astonishing that more people don't know about the sweetly effervescent pop of Jeremy Messersmith. Sure, the Twin Cities singer-songwriter's latest album, The Reluctant Graveyard, is a song cycle about death, and at his Tiny Desk Concert, he trots out a Star Wars-themed "Tatooine," which he says is "for the nerds." But, really, this guy is for everyone — his charming, timeless songs are just radiant, beautifully sung and beautifully played.

Messersmith didn't take his appearance in the NPR Music offices lightly: He enlisted a full band, complete with strings, to bring these songs (however ironically) to luscious life, and he picked short selections in an effort to maximize the impression he'd leave behind. We don't do many five-song Tiny Desk Concerts, but Messersmith's finely rendered, exquisitely infectious material warrants the moments of added attention. With his horn-rimmed glasses and esoteric subject matter, Jeremy Messersmith is no rock star. But he's a pop genius, with creative ambition to match his songs' considerable charm.

Set List

  • "Toussaint Grey, First In Life And Death"
  • "Knots"
  • "Violet"
  • "A Girl, A Boy, And A Graveyard"
  • "Tatooine"
  • Credits

    Filmed and edited by Michael Katzif; audio by Kevin Wait; photo by Emily Bogle/NPR

    Copyright 2021 NPR. To see more, visit https://www.npr.org.

    Stephen Thompson is a writer, editor and reviewer for NPR Music, where he speaks into any microphone that will have him and appears as a frequent panelist on All Songs Considered. Since 2010, Thompson has been a fixture on the NPR roundtable podcast Pop Culture Happy Hour, which he created and developed with NPR correspondent Linda Holmes. In 2008, he and Bob Boilen created the NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk. (To be more specific, Thompson had the idea, which took seconds, while Boilen created the series, which took years. Thompson will insist upon equal billing until the day he dies.)